摘要
论文以近百年的散文文本和散文理论为依据 ,尤其是对近二十年关于散文本质与类型的代表性观点进行辨析后 ,认为凡创作主体运用与自己相关的种种题材 ,直接将自我的个性、情怀、观点等 ,以散体文句在较短篇幅中自由而又艺术地表达出来 ,进行多重真实主体的情思互动 ,且试图传达或改变现实精神结构者 ,都是散文。散文作为一种文学体裁 ,可分成议论散文、记叙散文、抒情散文和兼类散文四种亚型。
Based on prose texts and prose theories in the past one hundred years and on an analysis of some representative views on prose nature and category during the recent twenty years, this paper opines that prose can be defined as the writing in which the writer elaborates on various pertinent topics to expresses his or her subjective personality, emotions and opinions freely and artistically in a limited space. What is more, prose writers can, in prose, reveal their genuine feelings and attempt to convey or transform the realistic ideology. As a literary genre, prose falls into four categories: argumentative, narrative, lyric and encompassing.
