摘要
近十年,外国戏剧来华演出的数量逐年增多,规模日益壮大,渐成潮流之势。这些演出不仅让国内戏剧从业者、观众看到了国外戏剧实践的最新成果、探索高度,拓展了他们的审美视野和艺术观念,同时也引发了业内和媒体的广泛关注,形成了具有"现象级"意味的文化景观。不同于新时期之初的戏剧"西潮",此次外国戏剧引进潮的出现呼应了中国当代话剧发展的现实诉求,在引进方式、引进主体、社会影响上,体现了中外戏剧交流的新特点、新趋势;同时,也从舞台表演、戏剧生态、体制机制等方面,给中国话剧留下了宝贵的启示。
In the last ten years, there has been an annual increase in the number of foreign theatrical productions staged in China. On one hand, through the productions, Chinese professionals and audience have access to the newest and highest achievements of foreign theatrical practices. These productions have broadened the aesthetic horizons of the professionals and the audiences alike. On the other hand, the productions have caught the attention of the media and become a ＂sensational＂ cultural spectacle. Unlike the former ＂western trend＂ of drama at the beginning of the new era, this current trend of the introduction of foreign theatrical productions is responding to the developmental need of Chinese modern drama. The mode, agent and social influence of the introduction have demonstrated new characteristics and new trends in the exchange between Chinese provide inspirations for Chinese modern drama in management systems. and foreign theatre. The imported productions also terms of stage performance, dramatic ecology and
出处
《戏剧艺术》
CSSCI
北大核心
2016年第3期31-40,F0003,共11页
Theatre Arts
关键词
西潮东渐
外国戏剧
话剧
western trend in China
foreign drama
modern Chinese drama
