摘要
“清凉”境界是孙伯翔晚年的书法美学追求。这种追求既存在于中国传统文化潜意识的心理暗示，也与他书学观念的导向性、碑帖融通的创作自觉性、书艺规律的内在制约性有着诸多关联，而这些最终要通过形而下的笔墨层面表现出来。作为孙伯翔高悬的审美之境，“清凉”在晚清民国以来碑学的发展脉络中，具有重要的历史意义和当代启示。
The state of freshness is the calligraphic aesthetic pursuit of Sun Boxiang in his twilight years. It lies in the psychological implications of traditional Chinese cultural subconsciousness, and also keeps a close connection with the direction of his calligraphic conceptions, the consciousness of a sketch ruled by stone inscriptions, and the inherent principles of calligraphic arts and rules, manifesting in brush and ink products. As Sun＇s lofty aesthetic aspiration, freshness enjoys its unique significance in the general development of art since the late Qing Dynasty till today.
基金
本文为河南省教育厅人文社会科学重点研究项目“民国以来学人书法及书学研究”（编号：2014-ZD-107）的阶段性成果.
关键词
“清凉”境界
孙伯翔
书学实践
历史地位
state of refreshing
Sun Boxiang
calligraphic practice
historical position
