摘要
大型歌剧起源于17世纪,诞生于意大利的佛罗伦萨,是一种集戏剧、诗歌、音乐、舞蹈和美术于一体的综合艺术。中国歌剧经历了新文化运动时期的萌芽、革命战争年代的发展、新中国成立后的繁荣、文革时期的荒芜以及改革开放后的复苏五个阶段。本文以复排的五部经典歌剧《秋子》、《白毛女》、《洪湖赤卫队》以及《伤逝》和《原野》为例,论述重新打造"经典"对于中国歌剧发展的创作探索、艺术影响力和创新意义。
Large-scale opera originated in 17 th century and born in Florence of Italy is a comprehensive art with drama,poetry,music,dance and painting.Chinese opera experienced beginning in the New Culture Movement period,growth in the revolutionary war,prosperity after the founding of new China,barren in the Cultural Revolution period and recovery after reform and opening up.This paper takes the new rehearsal of five Chinese classical operas,Qiuzi,White Haired Girl,The Red Guards on Honghu Lake,Regret for the Past,and Wilderness as examples,discussing the ' classics' rebuilding influences on exploration of Chinese opera creation and significance of innovation.
出处
《吉林艺术学院学报》
2016年第2期15-20,共6页
Journal of Jilin University of Arts
基金
2012年国家社会科学基金艺术青年项目"音乐创作中纯五度复合和声体系研究"(12CD080)
关键词
歌剧
秋子
白毛女
洪湖赤卫队
伤逝
原野
opera
Qiuzi
White Haired Girl
The Red Guards on Honghu Lake
Regret for the Past
Wilderness
