摘要
把书写行为作为人类学研究对象在西方知识系谱上是较晚的事情。如果将这一视角运用到文献中国观察上,则会给我们带来无穷的学术想象空间。就书写对象而言,山西《铜鞮吴氏人文志》集集体表象史书写和多样性个体生命史书写于一身。就编写者而言,同样也投射了宗族集体心智和执笔者的心智,因而该书是作者及其所归属群体的文化自恋和时代挽歌。就叙事技巧而论,既有直义陈述又有转义陈述,因而必须动用直义阅读和转义阅读两种策略。
The writing culture＇s behaviour is recently as a kind of study object of cultural anthropology.If the view of research is used into Chinese literature,that the infinite academic space will be fund by us.For the writing object,both the collective representation history and the individual life history are hung together in the works Tong Di Wu Shi Ren Wen Zhi in Shan Xi province.For the writer,the collective conscience and individual conscience is also projected into the works,so it is a kind of cultural narcissism and a piece of age of elegy.For the narrative technique,there are both straight state and trope state,so that we must read it by straight read and trope read.
出处
《青海民族研究》
CSSCI
北大核心
2016年第2期28-37,共10页
Qinghai Journal of Ethnology
基金
2011年度国家人文社会科学基金项目<16世纪以来黄淮平原上的联宗问题研究>(批准号:11BZS072)的后续性成果
关键词
直义陈述
转义陈述
写文化行为
集体表象史书写
个体历史与意识
Straight State
Trope State
Writing Culture＇s Behaviour
Writing on Collective Representation History
Writing on Individual History and Conscience
