摘要
"文学公共领域"是哈贝马斯政治哲学中的基础概念,是"代表型公共领域"向"资产阶级公共领域"过渡的中介,更是西方政治公共领域的前身。新兴资产阶级文学家在这一领域中围绕文学话题展开辩论与讨论,确立了资产阶级公共交往模式,训练了他们公共舆论的技巧,从而为政治公共领域的形成做好了准备。但是在从德语译为英语再译为汉语的过程中,"文学公共领域"一词出现了大量译法和由此引起的误读,本文尝试修正这些错误,并对英国文学公共领域进行国别性的研究,分析英国文学公共领域得以先声夺人的诸因素,总结这一领域"互动性建构""历史性锚定""文化性生成"和"构成上的多声部性"特征,从而为拓展文学公共领域研究提供参考。
Literary public sphere is the basic concept of Habermasian political phi- losophy, which indicates a transitional period between representative public sphere and bourgeois public sphere. The rising bourgeois writers debated and discussed literary topics in this sphere to practice their skills of rational communicating and public opinion making, which laid a solid foundation for the formation of the political public sphere. This article corrects some mistranslations and misinterpretations of this concept based on a historical research into the origin of it, and studies British literary public sphere in de- tails and summarizes its characteristics so as to oromote the studies of oublic sohere.
出处
《外国文学》
CSSCI
北大核心
2016年第3期97-105,共9页
Foreign Literature
基金
国家社会科学基金项目(14CWW012)
中财外国语学院基础学科科研扶持计划(021650315005)
关键词
哈贝马斯公共领域
文学公共领域
咖啡馆英国范式
Jurgen Habermas, Public Sphere, Literary Public Sphere, coffee houses,British Paradigm
