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坚守与传承——论极简主义对德国产品设计的影响 被引量:2

RATIONAL AND INHERITANCE——TALKING ABOUT THE INFLUENCE OF THE MINIMALISM ON GERMAN PRODUCT DESIGN
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摘要 极简主义怎么看也不能算是个时兴的名词,好像从现代主义的开始,极简风格就从艺术、建筑、服装、产品等多个方面,影响着同期设计师做出最终的决策。它似一缕清风肆意穿梭于各个时代之中,但却总能在某一些关键的文化浪潮上占据其绝对的位置。而文章正是通过简要介绍极简运动的产生及其意义,集中论述德国产品设计中极简风格的运用,同时结合德国文化,归纳极简主义对于德国未来产品的设计启示。 Minimalism can't be a fashionable word. From the beginning of the modernism, minimalism makes a big influence on designers to make the final decision from multiple aspects, such as art, architecture, clothing and products. It is like a wisp of cool breeze, but it can always be overwhelmingly on some key location. This paper, through the introduction of the produce of minimalism and its significance, focuses on German products in the design of the use of minimalism, combined with Germany's culture at the same time, induces the references of minimalism to German enlightenment of product design in the future.
作者 樊搏 刘俊楠
出处 《设计》 2016年第12期112-113,共2页 Design
关键词 极简主义 德国产品设计 影响 Minimalism Germany product design Influence
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  • 2Annette Michelson, "Robert Morris: An Aesthetics of Transgression" , Robert Morris, Washington D.C.: Corcoran Gallery of Art, 1969, p.t3. 被引量:1
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  • 7Barbara Reise, "Greenberg and the Group: A Retrospective View, Parts I and It" , Studio International, May-June, 1968, pp.254-257, pp.314-316. 被引量:1
  • 8Donald Judd, unpublished interview with James Meyer, Marfa, Texas, 27 October 1991. 被引量:1
  • 9Carl Andre, "Preface to Stripe Painting (Frank Stella)" , 16Arnericans, New York: The Museum of Modern Art, 1959, p.76. 被引量:1
  • 10Minimalism:Art and Polemics in the 1960s, New Haven and London, Yale University Press, 2000. 被引量:1

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