摘要
将世界遗产视为生态美学理论的典范,是基于世界遗产在意义和功能上,从三个方面,昭示了生态美学的基本内涵:首先,世界自然遗产地的出现,隐含了生态美学主张的突破主客二分二元对立的思维模式,倡导人与自然和谐相生观念的基本做法;其次,世界遗产从哲学美学层面,体现了"自然的人化"与"人的自然化"的生态美学自然观;最后,世界遗产的内在精神昭示了人类对审美生存的追求,尽管目前的旅游开发现状,反映出人类在此追求过程中,难以摆脱被物质"异化"的趋势。
Based on the meaning and function of the world heritage,it is viewed as the model of ecological aesthetic theory,which reveals the following basic meanings of ecological aesthetics. First,world natural heritage sites stands for the thinking model of binary opposition of object and subject and advocates harmonious living between human being and the nature. Second,according to philosophical aesthetics,it presents natural value of ecological aesthetics of ＂humanization of nature＂and ＂naturalization of human＂. Third,although the present situation of tourism indicates the trend of alienation of materials,the spirit of world heritage explains human＇s pursuit to aesthetics.
出处
《凯里学院学报》
2016年第2期62-67,共6页
Journal of Kaili University
基金
贵州省科技厅社会发展公关项目"生态美学视域内的贵州省施秉县云台山风景区旅游美学价值研究"(项目编号:黔科合SY4(2012)3155)
关键词
世界遗产
生态美学思想的典范
生态美学的自然观
审美生存
world heritage
model of ecological aesthetics ideas
natural value of ecological aesthetics
aesthetic survival
