摘要
作为意识形态的文学场,它是社会文化思潮磁场的一种波源带,有一种乡邦裙带的意味。基于此,在如何评价文学形象问题上,也就无法与社会文化思潮的影响撇开进而与此相伴相绕。往昔《创业史》人物梁三老汉艺术典型的批评遭际便是一例。那么,当看似花样翻新的文学形象创新退潮后,文学道场依旧向寻找文学形象创造中的生命本相与心灵奥秘的新文学时代回归。那些曾被忽略了的,甚至被讥语和无视了的优秀文学资源,便自然地呈现于文学的台面再次被重新汲取。这就是《创业史》梁三老汉艺术资源"文学的人学双重意味、生命本相的自然质、心灵奥秘的系统质"之三个层面价值的再审视、再认知。
As an ideological literary field,it is a source of the ideological trend of social culture,full of rural life.Accordingly,as far as the literary image is concerned,it is impossible either to separate it from the influence of the ideological trend of social culture or disconnect it from it.A case in point is the criticism about the typical artistic feature of Old Man Liang San in The History of Entrepreneurship.When the innovation about the literary image cools down,the literary field goes back to the Chinese new literature age,i.e.in the pursuit of the essence of life and spiritual mysteries in the creation of literary image.Those classical literary resources,ever neglected,satirized and defied,naturally come back and again are appreciated.The re-examination and re-recognition of the value of the art resources of Old Man Liang San in The History of Entrepreneurship at three levels are the double implication of humanity studies,the natural state of the essence of life,and the systematic state of the spiritual mysteries.
出处
《唐都学刊》
2016年第3期77-83,共7页
Tangdu Journal
基金
陕西省哲学社会科学基金项目:"柳青文化人格与文学意义研究"(09J004)
关键词
《创业史》
人物创造
心灵奥秘
生命本相
梁三老汉
The History of Entrepreneurship
character portraying
essence of life
spiritual mysteries
Old Man Liang San
