摘要
1934年,苏州,在男性艺人组成的光裕社和男女拼档演出的"外道"演员之间,因为"女艺人能否登台演出"问题发生了一次冲突。作为一个历史片段,这次冲突一方面展现了冲突双方在利益分配上的角力,并在某种层面上显示出近代中国社会转型时期传统与新的社会形势之间的矛盾,同时,通过这个微观的侧面,亦可以看出民国时期女性社会地位的改变。
In Suzhou during the year of 1934, the disagreements of the problem wheather female artists can perform on the stage lead to a fierce conflict between the Guangyu Association composed of male artists and the ＂heresy＂ artists of men and women combination. As a historical episode, the conflict showed the wrestling over the distribution of benefits of the conflicting sides as well as the contradictions between traditions and new social situations at a certain level in the transitional period of the modem Chinese society. Moreover, this microcosmic aspect also showed the change of female status in Republic of China.
出处
《苏州教育学院学报》
2016年第2期7-11,共5页
Journal of Suzhou College of Education
基金
国家社科基金重大项目(14ZDB041)
关键词
苏州评弹
光裕社
女性地位
女艺人
Suzhou Pingtan
Guangyu Association
female status
female artists
