摘要
中国古代音律理论早期主要围绕五音、六律展开。《管子》中即有对五音理论完备的论述,包括音色、五音内部派生法则以及五音之"数"的概念。之后五音内部的派生法则及"数"被扩展至六律中,《淮南子》对此记载甚详。至西汉中后期,受气化宇宙论以及象数易学影响,音律理论又融入了易学因素,产生了易学化转变倾向。
Early Chinese ancient temperament theory mainly focus on the five notes and six Lu （both are Chinese traditional music concept）. The book Guanzi has con- tained complete description about five notes, such as timbre, internal derived law and number of the five notes. In the process of progressive development of music the- ory, the basic law has extended to six Lü, mainly founded in the book of Huainanzi. To the late Western Han Dynasty, influenced by the theory of Qi-Cosmology and Im- age-Number Yi theory, the temperament theory absorbed the factors of Yi theory, which produce the transformation of Yi theory tendency.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2016年第1期96-102,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
西汉
易学
音律思想
五音
六律
Western Hart Dynasty, Yitheory, music theory, five notes, six Lü
