摘要
肇始于20世纪70年代中后期的革命领袖题材戏剧,一度在全国形成热潮,其余波延续至今。甘肃在此类题材创作中,无论就数量还是艺术水准,都取得了令人瞩目的成就,提供了许多可资借鉴的创作经验。通过对《西安事变》《艰难时事》《邓小平在江西》《上南梁》等剧作结构方法的个案研究,说明创作者针对不同的题材内容,有继承有创新,探索出了受观众欢迎的结构技法,而结构技巧的选择与创新,是决定此类题材戏剧成败的先决条件。
Dramas portraying revolutionary leaders boomed in the 1970s across the country, and their influence continues to today. Gansu province has made remarkable achievements in the production of this type of dramas either in quantity or in quality, thus a good example to refer to. Through the study of dramas such as Xi ＇an Incident, Hard Times, Deng Xiaoping in Jiangxi, Going to Nanliang, this paper suggests that according to different subjects, the producers have integrated tradition and innovation and developed a kind of structure and manoeuvre appealing to the regular audience, which is the prerequisite for the success or failure of such kind of dramas.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2016年第2期123-128,共6页
Journal of Lanzhou University（Social Sciences）
关键词
革命领袖题材戏剧
甘肃戏剧创作
戏剧结构
开放式结构
《西安事变》
《艰难时事》
dramas portraying revolutionary leaders
dramaturgic production
Gansu province
dramaturgic structure
open-ended structure
Xi ＇an Incident,＂ Hard Times
