摘要
先秦楚国漆器艺术是中国艺术的瑰宝。其中,漆竹器作为楚漆器的重要组成部分,它既传承了楚文化的重要内涵,也开启了汉代漆器繁荣发展的新篇章。根据制胎工艺来划分,楚国竹器主要分为竹筒类与竹篾编织类。竹筒类竹器依据竹子的自然构造而加工成不同的器具样式,表达竹器的造型之美;竹篾编织类竹器主要呈现竹器的图案装饰之美,图案类型包括漆绘图案与编织图案。由于楚国竹器的工艺限制,其图案装饰是漆竹器设计之美的主要体现。
Chu lacquers in the pre-Qin period are the art treasures of China. Among them,as an important part of the Chu lacquer-wares,bamboos not only inherit the important connotation of Chu culture,but also open the door to a new chapter of lacquer ware prosperity and development in Han Dynasty. In terms of the processing craftmanship,Chu bamboos can be divided into bamboo tubes and bamboo strips. Bamboo tubes are made according to the natural structure of bamboo,appearing the 3-D beauty. Bamboo-strip wares appear the pattern beauty,including painted and weaved patterns. Due to technological limitations in Chu of the pre-Qin,the design beauty of the Chu bamboo lacquer-ware is mainly reflected in the decorative pattern.
出处
《竹子研究汇刊》
北大核心
2015年第4期42-45,共4页
Journal of Bamboo Research
基金
湖北省教育厅人文社科项目(15Q053)
荆楚文化研究中心科研项目(CWH201403)
长江大学社科基金项目(2014csq004)
关键词
楚国
竹器
造型
图案
审美
Chu
Bamboo ware
Sculpt
Pattern
Aesthetic
