摘要
粟田梅作为国家级非物质文化遗产通道侗锦代表性传承人,其织锦作品纹样丰富,主要有动物、植物、几何纹以及文字、器物、人神纹等纹样类型,这些纹样凝聚着侗族民众对祖先、神祇、自然、土地、生命等的崇敬与爱戴。其纹样造型,象形表意、由意生象;其纹样色彩,无论是彩锦或素锦都设色和谐、冷暖相宜;其纹样构图,结构严密、主次分明。粟田梅的侗锦艺术保留着独特的民族风韵,使得通道侗锦在中华民族的织锦艺术中独具一格。
As a representative of national intangible cultural heritage inheritors, Su Tianmei＇s Dong brocade was rich in tapestry work patterns. There were animals, plants, geometric patterns and texts, objects, patterns and other pattern types of gods which embodied the Dong people＇s reverence and love to ancestors, gods, nature, land and life. The pattern shapes illustrated pictographic and ideographic coexistence, while the color in either colored or plain brocade were distributed harmoniously and well matched with warm and cool tone while the compositions were tightly structured with distinctive orders. Su Tianmei＇s Dong brocade art retained its unique national charm, which made Tongdao Dong Brocade pattern original in China＇s tapestry art.
出处
《包装学报》
2016年第2期66-70,共5页
Packaging Journal
基金
湖南工业大学研究生精品课程基金资助项目(KC1302)
关键词
粟田梅
侗锦
纹样类型
文化寓意
艺术特征
Su Tianmei
Dong brocade
pattern type
cultural implication
artistic feature
