摘要
北魏孝文帝太和十九年(495年)迁都,洛阳地区伽蓝纷立,佛教兴盛,成为新的南北朝佛教艺术发展中心。观察此时段内洛阳龙门石窟菩萨造像胸饰,可发现原处于南北两地不同衍传脉络的璎珞与帔帛,经古阳洞、宾阳中洞等石窟相互碰撞交融,最终出现两者组合庄严菩萨造像的胸饰新样,并以此为基础,逐步形成吻合石窟营建背景与空间主次关系的菩萨造像等级规制。
In the 19th year of the reign of Xiaowen Emperor of Northern Wei dynasty （495 AD.）,Luoyang became capital and developed as the hub of Buddhism during that era. The chest decoration of Buddhist figurines in Longmen Grottoes are featured with unique carved necklace and cape which had evolved from that in such grottoes as Guyang Cave and Binyangzhong Cave into new patterns characteristic of hierarchical significance and harmony with background.
出处
《艺术探索》
2016年第1期67-72,共6页
Arts Exploration
关键词
菩萨造像
璎珞
帔帛
等级规制
Buddhist Figurines
Carved Necklace
Cape
Hierarchy
