摘要
东魏、北齐是由胡化汉人高氏一族掌控的地方割据政权。自上世纪五十年代至今,已发现并发掘东魏北齐壁画墓25座,相关研究成果丰富。其中较重要的如湾漳大墓、娄叡墓、徐显秀墓、茹茹公主墓等改写了以往对魏晋南北朝艺术史的认识,在中国绘画史中亦具有重要位置。本文系统梳理了迄今关于东魏北齐壁画墓的考古发现与研究情况,并对其已有成果及存在问题进行归纳与述评。已有研究包括对单座壁画墓的个案研究及在壁画墓材料积累到一定程度基础上的综合研究,已完成对东魏北齐壁画墓的墓葬形制、壁画内容、分布规律、发展序列、地域性、过渡性、社会性、艺术表现等问题的基本认知,亦涉及装饰图案、科技保护等细节;所获成果对新的考古发掘与研究工作具有指导作用,尤其对不能确定年代的壁画墓具有对比与辨识的实用意义。通过梳理研究过程,可以看出由美术史到考古学、再到两者配合的发展轨迹,这也是今后墓葬艺术史研究领域在方法论上的重要趋势。不足之处依然存在,文末提出问题与建议,以期关于东魏北齐壁画墓的研究工作可以更深层地开展。
Eastern Wei and Northern Qi dynasties were local separatist regimes dominated by Barbarized Chinese-Gao Family.Since the1950's,archaeologists have excavated 25 mural painting tombs,and accomplished abundant researches onboth dynasties.The findings of some important mural tombs such as WanZhang,LouRui,XuXianxiu,and Princess RuRu,have reformed traditional understandings of Chinese Art History of the third to fifth Centuries.Those findings also play an important role inthe history of Chinese Paintings.This studyreviews and analyzes all the past discoveries and researches including both case and comprehensive studies.Prior comprehensive studieshave toucheda number of fundamental academic focuses,such as grave character,mural painting details and distributions,development process,regional,social and transitional features,artistic expressions,decorative pattern,and technological protection.These achievements have impressive significance for further archaeological fieldworks and studies,especially for studies of mural tombs without certain age information.This article also points out the process ofcorporation between Archaeologists and Art historians,which should be a methodological trend in the field of mural art history.In the end of this study,the author mentions some inadequate points,which may direct future research.
出处
《南京艺术学院学报（美术与设计）》
CSSCI
北大核心
2016年第2期60-65,187-188,共6页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
东魏
北齐
壁画墓
研究评述
Eastern Wei
Nor thern Qi
Mural Painting Tomb
Comprehensive review
