摘要
对殖民主义的持久关注、对印第安文化创伤的重新审视、对民族文化中景观的治愈功能的深度挖掘,使得印第安作家西尔科的创作具有了广阔的全球视野和浓郁的民族风情。本文从西尔科的成名作《典仪》入手,追寻主人公塔尤的治愈创伤之旅,揭示后殖民语境下景观在治疗印第安文化创伤方面的特殊功效。作者认为,景观的本体性存在是治愈创伤的反记忆性和创伤记忆断裂的济世良方,因而重构自我与景观之间的共生关系是治愈塔尤人格机制根本变异的不可或缺的环节,也是弘扬印第安民族文化、治疗文化创伤、反抗殖民压迫的必要手段。
Native American writer L（M. Silko＇s writing is characterized by the per- sistent attention to colonialism, the reassessment of Native American cultural trauma, and the in-depth exploration of landscape therapeutic function in ethnic culture, showing a global vision and giving off strong ethnic flavor. By focusing on Silko＇s masterpiece Ceremony, this paper traces protagonist Tayo＇s trauma-healing journey, and reveals the functions of landscape therapy, especially in the treatment of Native Ameri- can cultural trauma. The landscape is a panacea for healing traumatic anti-memory and memory disruption. Thus, reconstructing symbiotic relationship between self and land- scape is an integral part in healing the fundamental variation in Tayo＇s personality mech- anism and a necessary tool for promoting Native American culture, healing cultural trau- ma and fighting against colonial oppression.
出处
《外国文学》
CSSCI
北大核心
2016年第2期51-59,共9页
Foreign Literature
基金
2015年辽宁省教育厅人文社会科学重点研究基地专项项目(ZJ2015010)
2016年度大连外国语大学科研创新团队项目:二十世纪美国少数族裔文学研究
关键词
西尔科《典仪》文化创伤
景观治疗
Leslie Marmon S]l-ko, Ceremony, Native American culture, culturaltrauma, landscape therapy
