摘要
王了望为明末清初陇上文坛、书坛的一位大家,然史载阙如。纵观其文学、书法创作,受明代中后期文艺思潮的影响较大,表现在文学创作上由追求心性自由到对传统风雅精神的回归,而其书法创作则正好相反,表现出早年注重法度意趣到晚年的个性张扬、奇崛烂漫的审美观的转变。这既是由文学、书法艺术内在本质特征所决定的,同时也体现了其在明末清初的学风巨变中积极反思。
Wang Liaowang is a famous people in the Gansu literary world and Calligraphy circles at the end of Ming Dynasty and the early Qing Dynasty, but recorded absence.Throughout his literature, calligraphy creation, are greatly influenced by the mid and late Ming dynasty literature ideological trend, in literary creation by the pursuit of the free mind to returning to the traditional Fengya spirit, and the calligraphy creation on the contrary.Show the early focus on specification of interest to the late romantic, individual character make public aesthetic transformation. It is determined by the inherent nature of literature,calligraphy art characteristics, but also reflected in the late Ming dynasty style changes in positive reflection.
出处
《甘肃高师学报》
2016年第2期13-16,共4页
Journal of Gansu Normal Colleges
基金
陇南师范高等专科学校2014年度校级科研项目"王了望诗文与书法艺术研究"(2014LSSK02005)的阶段性研究成果
关键词
王了望
文学
书法
文艺思潮
Wang Liaowang
literature
calligraphy
literature and art trends
