摘要
大晟钟是宋徽宗为制定、推行大晟新乐所铸制、使用的代表性宫廷乐器,体现了北宋时期金石学研究、编钟理论探讨以及宫廷礼乐艺术实践的历史风貌及其特征。以丰富的历史文献史料为依据,结合留存至今的30余件实物,开展大晟钟复原研究暨在此基础上的仿制或重制试验,既能进一步了解宋代青铜编钟的时代特点,同时也能为音乐文物的复原研究与仿(重)制实验提供较为经典的案例。
Da-sheng Bell was representative palace instrument that casted and used to push for Da-sheng new music in Huizong years of Northern Song Dynasty, and it reflecting the historical style and features of researching the inscriptions on ancient bronzes and stone tablets, exploring China Bells theory, and art practice of palace Yayue（ceremonial classic music）. Based on a wealth of historical documents data, combined retained 30 more material objects nowadays, author carried out the restoring study Da-sheng Bell and on this basis doing experiment of remaking. This could be further understand the times characteristics of bronze bells in Song Dynasty, and more could effectively reveal the functionality features of temperament utensil（implement of pitch standard） of Da-sheng Bell, and meanwhile it provided the first-hand information for understanding the evolution of Chinese traditional bells in Song Dynasty.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2015年第4期58-66,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
大晟钟
复原
仿(重)制
研究
试验
Da-sheng Bell
restore
remake
research
experiment
