摘要
通过对文本进行新批评式的解读,将唐代婚恋传奇文分为现世婚恋、人神遇合与遭遇灵怪三种故事类型,并进一步揭示其所彰显的故事模式。认为唐婚恋传奇文的作者往往在文本的语境中介入了反讽,并且通过一系列叙事策略对女性形象进行规范、颠覆甚至扭曲。这使得唐代婚恋传奇文似乎表现出了对女性情感遭遇的关怀和同情,但实际文本的叙事却依然掌控在男权话语中。
Through the interpretation of the text by new criticism,the love and marriage literary of the Tang Dynasty is classified into three types,where the stories respectively occurred between men and women,mankind and goddess,men and ghosts.It concludes that love and marriage literary of the Tang Dynasty usually adopts irony and distorts the female characters.Although the stories seemingly show sympathy about the female,the actual control of the narrative is still in the hand of the patriarchal discourse.
出处
《沈阳大学学报（社会科学版）》
2016年第1期101-107,共7页
Journal of Shenyang University:Social Science
关键词
唐代
婚恋传奇文
男权话语
反讽
叙事策略
love and marriage literary of the Tang Dynasty
patriarchal discourse
irony
narrative strategy
