摘要
"互联网+"时代,电影的公共空间呈现出新的特点,即公共话语空间的跨媒介扩展、全媒介延伸,这种态势使得电影艺术批评经常面临电影艺术性与电影票房之间不成正比的悖论和尴尬,由此也导致某种程度上电影艺术批评的失效和失语。如果没有坚实的艺术批评作为基础,文化批评或产业批评或将成为空中楼阁。我们不妨将电影置于创意产业的视域,用创意学、文化创意产业等学科的基本理论和研究方法研究电影,进而探索电影的文化创意批评视角。关注创意问题,跨越电影的各个生产、创作、营销等环节,具有开阔的视野和极高立意的"电影创意批评",应成为当下现实语境中电影批评所秉持的开放态势,更是电影批评保持自身生命活力,继续发挥其影响力的重要途径之一。
In the ＂Internet ＋ ＂ era, the public space of film shows new features, namely the public discourse spacefor crossing media expansion and full media extension, this situation makes the film art criticism often face theun-proportional paradox and embarrassment between film art and film box office, which also led to some degree offailure and aphasia to film art criticism. If there is no solid art criticism as foundation, cultural criticism or industrycriticism will become the castles in the air. We might as well put the film in the field of creative industries, with thebasic theory and research methods of creative learning, cultural creative industries and other disciplines to study thefilm, and then explore the film＇s cultural creative criticism perspective. Pay attention to the creative problems, crossvarious production, creation, marketing and other aspects of the film, own the wide field of vision and high conceptionof ＂film creative criticism＂, they are the opening situation upheld by the film criticism in current realistic languageenvironment, and also one of the important ways for film criticism to maintain its vitality and continue to play itsinfluence.
出处
《中原文化研究》
2016年第2期40-46,共7页
The Central Plains Culture Research
