摘要
洞穴母题是石涛《游张公洞之图》的主要表现对象,这一母题虽然有着图像志的谱系,但在石涛的绘画中也有着自身的谱系。该作品以沈周的同名作为底本,而石涛却视其为具有原创性的作品。沈周侧重于再现张公洞自然视觉层面,石涛则借助这一母题着重表现内心的宗教寄托与"我"法的绘画神理。
The main object of The Grotto of Zhang Dao- ling is cave motive, although this motive has iconography pedigree, it has its own pedigree in Shi Tao's painting. The motive of The Grotto of Zhang Dao- ling is put in the context of cave motive of Shi Tao's paintings so as to understand the iconography meaning of cave motive in Shi Tao's painting. Since this work is based on Shen zhou's version, however, the work of Shi Tao was regarded as an original one.Therefore, the visual characteristics difference between Sheng zhou's work and the original one is also one of the main discussions of this essay.
出处
《艺术探索》
2015年第6期21-25,共5页
Arts Exploration
关键词
石涛
《游张公洞之图》
洞穴母题
含义
视觉特征
Shi Tao
The Grotto of Zhang Dao-ling
cave motive
meaning
visual characteristics
