摘要
以"用户创造内容"为代表的参与式文化形态与现代版权保护体系之间产生了冲突,但通过对近年来北美立法及司法机构关于使用版权作品的法律规定及判例、版权产业适度放松版权保护而成就的新型营销乃至盈利模式以及参与式文化创作者群体自发形成的准版权规范进行梳理,发现这三者之间存在着一种原则性的"版权作品使用共识"。这为我们考察如何为参与式文化的有序繁荣构建适宜的版权政策环境提供了新的视角与维度。
A fundamental conflict between digital participatory culture represented by ＂user generated content＂and the modern copyright regime has been widely acknowledged. However,a comprehensive analysis of the following three aspects,namely,recent legislative initiatives and legal cases in the North American jurisprudence regarding the use of copyrighted works,new marketing strategies and profit-making modes achieved by moderately relaxing copyright protection in the copyright industry,and the quasi-copyright norms spontaneously established by participatory culture practitioners,reveals that there exists a principled consensus of the use of copyrighted work. It provides a new perspective and dimension in creating a congenial copyright environment for the orderly blossoming of participatory culture.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2016年第1期114-127,共14页
Journal of Shanghai University(Social Sciences Edition)
关键词
参与式文化
数字版权
使用者权利
转换性使用
版权作品使用共识
participatory culture
digital copyright
users＇ rights
transformative uses
consensus on the use of copyrighted works
