摘要
苏童的长篇小说《碧奴》作为全球性的"重述神话"项目之一,以全新的形式书写了孟姜女哭长城的故事。小说通过瑰丽的想象和陌生化的叙事方式对古老传说进行了一次再创造,但在"重述神话"的外衣下,作品潜藏着对现代文明的隐喻,这让原本美丽的神话传说抹上了一层现代文明困境的宿命色彩。小说通过对碧奴寻夫之路的描述,展现了人性的冷漠、国家政治权力的强压和人类总也走不出的生存困境,这无疑是对人类历史现代化进程的隐喻。
SU Tong＇s novel Bi Nu is one of the global projects of ＂restatement myth＂. The novel uses a new form to rewrite the story of MENG Jiangnv＇s crying the Great Wall. Through the magnificent imagination and stranger narrative way for a recreation of ancient legend but under the cloak of the ＂restatement myth＂, the work is a metaphor for the modern civilization, which gives the original beautiful myths and legends of the plight a layer of modern civilization fate color. By describing Bi Nu＇s experience of looking for her husband, the novel shows the human indifference, national political power of coercion and the plight of human ex- istence, which is undoubtedly the metaphor of the modernization process of human history.
出处
《重庆交通大学学报（社会科学版）》
2016年第1期79-83,共5页
Journal of Chongqing Jiaotong University:Social Sciences Edition
基金
陕西省社科基金项目"陕西当代文学中的反现代性书写"(2014I28)
