摘要
《大舞台》在"史料""演义""坊间传说"与"作者批注"间游走自如,拓展了更为广阔的叙事时空,延伸了历史画面和人物本质的描写与刻画。这种叙述和议论交互穿插的表现方法,既泾渭分明又灵活多变地达到了"事显理明"和平添情致的艺术效果;其夹叙夹议的语言风格更是"古风犹存",寓含着忧国忧民的社会责任感和对平民命运的关注,彰显出严肃、崇高的精神格调,其与慷慨悲歌、舍生取义的"燕赵群像"一起使作品映射出哲理和诗史的光芒。
The Grand Stage integrates different literary styles including historical materials, historical romance, folk legend and annotation, which expands a broader narrative time and space, extends historical picture and deepens the description and depiction of human nature. The expression method interweaving narration and argumentation has achieved the artistic effects of reasoning things out and arousing emotional appeal. The language style integrating narration and comments possesses ancient characteristics, implies a sense of social responsibility and concern about civilian fate and demonstrates solemn and sublime spiritual state. The language and those heroic characters in this novel have reflected profound philosophy and historic meanings.
出处
《保定学院学报》
2016年第1期6-11,共6页
Journal of Baoding University
关键词
谈歌
《大舞台》
燕赵精神
历史题材小说
艺术创新
文学语言
Tan Ge
The Grand Stage
Yan-Zhao spirit
historical novel
artistic innovation
literary language
