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《诗》《传》《笺》及后世咏陇诗中的“周祖”意象

The Images of Ancestors of the Zhou People in the Book of Songs and Later Interpretations of it
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摘要 《诗经》中的《生民》等篇抒写了周人先祖在豳地的创业史,塑造了来历非凡、品德高尚、能力超群的部族英雄,是以文学手法对先祖形象及其事业的追忆、渲染及歌颂。汉儒则根据"诗教"的需要,将"美"、"戒"、"重民"、"创制"等理念置于对诗歌的阐释中,将后稷和公刘等人物塑造成符合儒家理想的政治领袖形象,而忽略了这些诗篇的"史诗"性质。"周祖"形象在后世咏陇怀古诗歌中也屡有出现,诗人们结合典籍记载和在周祖故地的见闻,或追述功业、称颂德行,或感慨沧桑、忧国忧民,或描写"遗风"、追怀周祖,以传达自己在政治、历史、国运、民生等方面的思想和感情。一言以蔽之,"周祖"形象在政治、历史、文学和信仰等不同领域中多次被"再创作",形成了多面的"周祖文化"。 In the Book of Songs, the poem Sheng Min and other poems sing psalms of Zhou people' s ancestors pioneering in the Bin area led by super talented bribe heroes of high moral character and unusual origins. Those poems are a literary retrospect, description and praise of Zhou people' s ancestors and their deeds. However, in the Hart Dynasty, the Confucians introduced concepts like "beauty", "warning", "farming", and "creation" etc when interpreting the poems. They described Hou Ji and Gong Liu as political leaders conforming to Confucian ideals by ignoring the historical nature of those poems. Those heroes were frequently praised by later poets in their poems about Zhou people' s homeland, Long (today' s Gansu province), to express their thoughts and feelings about politics, history, nation, and people. In a word, the images of Zhou people' s ancestors were created again and again in history and literature and for political and religious purposes, thus generating a multi-aspected Zhou ancestor culture phenomenon.
作者 朱君毅
出处 《西南石油大学学报(社会科学版)》 2016年第1期91-95,共5页 Journal of Southwest Petroleum University(Social Sciences Edition)
基金 2013年度甘肃省社科规划项目"<诗经>与陇文化"(13YD050)
关键词 《诗经》 汉儒 咏陇诗 周祖 政治美学 诗歌意境 the Book of Songs the Confucians in Han Dynasty poems about Zhou people' s homeland, Long Zhou people's ancestor politic aesthetics poetic imagery
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