摘要
从《珍珠湖》到《白鹿额娘》,再到《珍珠湖畔》,满族神话题材舞剧经历了三十余年的发展,在编创风格和舞蹈语汇上形成了自己独特的风格,体现出鲜明的传承性与创新性。"传承性"体现在舞剧情节取材于满族神话传说,而舞蹈语汇来源于满族传统舞蹈;"创新性"体现在当代舞蹈元素的融入和多媒体技术的引入。满族神话题材舞剧在编创风格和舞蹈语汇方面的传承使其形成了鲜明的风格而立于舞蹈之林,而当代舞蹈元素的融入与多媒体技术的引入两方面的创新又使满族神话题材舞剧更能适应时代的发展,满足人们不断发展的审美需求。满族神话题材舞剧的传承与创新将为中国舞剧创作带来有意义的启示。
From The Pearl Lake to White Deer Mother,and then to Pearl Lakeside,the dance drama of Manchu mythology theme has experienced more than 30 years of development with their own unique style and dance vocabulary,which reflects the inheritance and innovation. The inheritance is based on two points： the dance drama plot is based on Manchu myths and legends,and the dance vocabulary comes from Manchu traditional dance forms. The innovation embodies the use of the contemporary dance elements and the introduction of multimedia technology. The inheritance helps to form the creative style,and the innovation helps the dance drama adapt to the development of the times and satisfy the developing aesthetic needs of the public. The inheritance and innovation of the dance drama of Manchu mythology theme will provide significant inspirations for the creation of Chinese dance drama.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2015年第6期92-95,共4页
Journal of Beijing Dance Academy
基金
吉林省教育厅2014年度规划课题<关于满族舞蹈文化在吉林省旅游资源中的开发和利用问题研究>阶段性研究成果(项目编号:吉教科文合字[2014]第190号)
