摘要
本文以北京服装学院民族服饰博物馆馆藏的全套施洞苗族"盛饰"为实物研究样本,结合采集的数据和田野考察的资料,剖析施洞苗族以"盛"为美的银饰佩戴观念。同时,通过对纹样布局的分析和造型细节的解读,进一步探讨蕴涵在施洞苗族"盛饰"中无处不"盛"的装饰特征。
This paper is based on the practicality research on the ＂Sheng Shi＂ of Shidong Miao from Beijing Institute of Fashion and Technology Ethnic Costume Museum. Combine the datas from the research, we analyze Shidong Miao＇s opinion of silver wearing based on the beauty gorgerous. As the same time, through the analyzing on layout of pattern and detail of the modeling, we discuss the deeper meaning of ＂Sheng Shi＂ style and the characteristics of the decoration, which penetrated in Shidong Miao＇s culture.
出处
《艺术设计研究》
CSSCI
2015年第4期52-58,共7页
Art & Design Research
关键词
施洞
苗族
银饰
Shidong
Miao
Silver Work
