摘要
自北宋起,磁州窑绘画装饰艺术便成为中国北方民窑中最具代表性的装饰主流,金代更是其空前繁荣的鼎盛阶段。在其绘画装饰瓷中,尤以瓷枕最为丰富。本文主要从粗瓷细制、黑白分明、艺术载体、民间意韵等四方面剖析金代磁州窑瓷枕绘画装饰艺术及其艺术特征;同时,综述其在中国陶瓷绘画装饰艺术中的历史地位及当今艺术价值。
Since the northern Song Dynasty, the Cizhou kiln decorative painting art has become the most representative decorative mainstream of folk kilns in north China, the Jin Dynasty is the unprecedented prosperity peak stage. In its decorative painting porcelain, especially the porcelain pillow is the most abundant. This article dissects decorative painting art characteristics of Jin Dynasty Cizhou kiln porcelain pillow mainly from the following four aspects： the coarse porcelain fine system、a clear distinction between black and white, art carrier, folk rhyme. In the meantime, this paper also discusses its historical status and contemporary artistic value in Chinese ceramic painting.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2015年第12期87-90,共4页
China Ceramics
关键词
金代
磁州窑
瓷枕
绘画装饰艺术
艺术特征
Jin Dynasty
The Cizhou kiln
Porcelain
Decorative painting art
Artistic characteristics
