摘要
大江健三郎的《晚年样式集》,在"3·11"东日本大地震引起的核电站泄露事故背景下,将作者自己化身为小说主人公"我"融入其中,通过包括家庭成员在内的复数发话者对"我"近40年来创作的批判,回顾了自己始终反战反核的人生历程。同时,作品结合日本战后民主精神在以天皇制为象征的家长制和政府右倾化政策摧残下逐渐失落的残酷社会现实,坚定了"我"坚守"不战"和"民主"的"战后精神",以自己的抗争消解包括家长制和右倾化政府在内的各种权威,并希冀重建新的家庭关系和政治体制等权威的信念。
Kenzaburo Oe＇s In Late Style is set against the nuclear power plant leakage accidents of March 11 caused by an earthquake in the eastern Japan. Kenzaburo Oe, incarnated as the protagonist in the novel, reviews his anti-war and anti-nuclear life through the criticisms from plural speakers including family members on the literary creations of ＂Me＂ in nearly forty years. Against the cruel social reality in which Japan＇s postwar democratic spirit is eroded by the Mikado system, a symbol of patriarchal system, and the politically right deviation adopted by the government, ＇T＇ hold firmly on to the ＂postwar spirit＂ of ＂No War＂ and ＂Democracy＂. Through subverting different kinds of authorities, including the patriarchal system and the political right deviation, ＇T＇ hope that a new family relationship and a new faith in the political systerm can be built.
出处
《外国文学研究》
CSSCI
北大核心
2015年第6期151-158,共8页
Foreign Literature Studies
基金
国家社科基金项目"近代日本琉球歧视问题研究"【项目批号:14BWW008】的阶段性成果
