摘要
除了文字和音乐对"文革"母题的叙述,图像是更为直观的表达形式。创作主体面临"文革"母题的现实任务,并不能从艺术创造性上获得突破,如何争取更多资源,如何加快美术大众化进程,就成为创作者的基本选择和处境。这样,喧嚣多声部氛围的营构,以年画改革为代表的民间资源的激活,以户县农民画为典型的创作主体工农兵化,就构成了"文革"语境中图像实现"文革"母题大众化表达的具体实践。
In addition to the words and musical eulogy of " Great Cultural Revolution" motif,painting is also treated as one intuitively useful form.When the worker encountered the political motif of real tasks,which couldn't obtain the art creative breakthrough,how to strive for more resources and how to accelerate the process of popularization of painting became his basic selection and situation.Such,the construction of noisy atmosphere,the activation of the folk resources which represented by the Hu County peasants' modelling the image of " worker,peasant and soldier" with the folk painting resources,which became the concrete and low-priced practice in fulfilling the task of propagating the ideas of Great Cultural Revolution.
出处
《岭南师范学院学报》
2015年第5期169-172,共4页
Journal of Lingnan Normal University
基金
教育部人文社会科学研究青年基金项目(11YJCZH066)
关键词
“文革”
政治宣传画
户县农民画
工农兵
" Great Cultural Revolution"
politically propagating drawing
painting of peasants in Hu county
" worker
peasant and soldier"