摘要
美国剧作家田纳西·威廉姆斯的戏剧理念"仿生戏剧"在读者中一直缺乏系统认识。从田纳西·威廉姆斯的《夏日惊魂》可以看出,他的仿生戏剧概念可细分为三部分来解读,即荧幕设备、音乐和光的控制。这部作品通过三者的结合,将其戏剧的唯美性、话题性、思想性表现得淋漓尽致。
Readers do not have a systematic understanding on American dramatist Tennessee Williams＇ s＂Bionic Drama＂concept. From his Suddenly, Last Summer, we find the three aspects of his concept： screen equipment, music and light. The coordination of the three factors makes the work beautifully-watched, topic-focused, and profound-themed.
出处
《湖南第一师范学院学报》
2015年第6期86-88,共3页
Journal of Hunan First Normal University
