摘要
通过对善化寺实地考察并进行比较分析研究,二十四诸天彩塑具有类型化的人物形象处理与程式化的塑造技法特点。古代工匠是结合类型化的人物形象设计,灵活使用了程式化的综合塑造技法,从而创造出了善化寺二十四诸天彩塑作品。彩塑技法是一个系统,其内容涵盖塑造佛像过程中,所遵循的工艺上每一道工序、每一个环节的规范,以及达到这一规范标准所使用的手段和方法;还包括匠人在长期的实践活动中对彩塑的技术特点、方式方法、画稿样式、经验知识的积累和传承;更是匠人在创作过程中,对"规范样式"一旦心领神会,便能随心所欲,不断创造出新的技术、样式和风格,也使得技法不断地被赋予新的生命力。
Through field investigation and comparative analysis and research, we found that the painted Dova -loka sculptures of Shanhua Temple are characteristic of typified image processing and stylized moulding techniques, based on which the ancient craftsmen created the painted Dova - loka sculptures of Shanhua Temple in Shanxi. Painted sculpture techniques are a system whose content covers ： the technical norm of ev- ery step and section and the methods to reach the norm in moulding a buddhist statue; the technique fea- tures, methods, painting style and experiential knowledge accumulated and inherited by craftsmen; and new techniques, formats and styles created by them after they had grasped the thorough knowledge of the norm and pattern of moulding technique.
出处
《民族艺术研究》
CSSCI
2015年第6期63-68,共6页
Ethnic Art Studies
基金
国家社会科学基金艺术学项目"山西古代彩塑保护修复发展新形势下的彩塑艺术考研和研究"(项目编号:12BF046)
关键词
善化寺
彩塑
技法
传承
系统
工匠
二十四诸天
Shanhua Temple
painted sculptures
technique
inheritance
system
craftsmen
Deva - loka
