摘要
在社会经济体制急剧变革的新时期,黄建新电影始终聚焦知识分子式的小人物,展示他们于夹缝中生存的尴尬情态,以及在城市化过渡中所经历的价值失落、语式换位及窘迫的自我身份再确认。在现代城市框架下,黄建新延续了电影的社会批判主题,对都市中人的焦虑状态、绝望的生存窘境进行了深刻揭示。他对小人物无常命运的关注和荒诞化抒写,使其镜头下的城市不再是一个简单映衬故事发生和人物活动的物理空间,而承载了导演对于城市、文化与人的诸多思考,有了强烈的价值言说意图。
In the new period of dramatic changes in the social economic system,HUANG Jian-xin＇s movies always focus on the minor characters of intellectuals,showing that they live on the margins of society,experiencing the loss of value during the social urbanization,and they need to reconfirm their identity. Under the framework of modern city,HUANG Jian-xin continues the theme of social criticism,reveals the anxiety and despair of urban people. He concerned about the minor characters＇ uncertain fate. cities in his movies are no longer a simple physical space,but a vehicle reflecting the director＇s thinking on city,culture and people.
出处
《西安文理学院学报（社会科学版）》
2015年第5期6-9,共4页
Journal of Xi’an University(Social Sciences Edition)
基金
陕西省社会科学基金项目:陕西地域文化资源与影视产业开发研究(13J168)
西安建筑科技大学基金项目:当代西部影视剧创意发展研究(QN1331)中期成果
关键词
当代城市
黄建新
城市电影
小人物
contemporary city
HUANG Jian-xin
city films
the minor characters
