摘要
在传承我国非物质文化遗产——民间剪纸的路上,人们对"民间剪纸"在概念上存在模糊认识,对民间剪纸艺术体系的构成不甚了解,将民间剪纸与民间刻纸混为一谈、将民间剪纸与民间剪刻纸画混为一谈,这直接影响了对民间剪纸"人-剪刀-纸张三位一体",特别是其无稿造型(冒绞)独特技艺的准确传承。民间剪纸作为一门有着悠久文化传统的艺术,也有其独到的艺术体系。它不仅仅是一门简单的工艺或称手艺,它与文学、绘画、书法一样,也是人们以艺术造型的形式来表达思想的一种手段,或说是一种媒介物。要保护和传承民间剪纸,不仅要继承且升华其传统艺术特质,还应不断拓展其艺术表现范围,使其能够得到创新,从而与时俱进。而用民间剪纸的艺术语言创作中国古典诗词剪纸作品无疑是很好的拓展方向之一。
In the process of inheriting Chinese intangible cultural heritage （paper- cut）, the conception and sys- tem component of folk paper-cut becomes strange for many people. It is easy to make people confuse among folk paper-cut, folk carving and folk cutting. It is the direct reason for affecting the inheritance of fotk paper-cut, such as ＂people-cut-paper trinity no draft modeling＂. At the same time, there is no enough understanding on the artistic expression scope and advance language feature of folk paper- cut. Therefore, ＂expand＂ is present for in-depth thinking in this paper.
出处
《通化师范学院学报》
2015年第11期25-28,共4页
Journal of Tonghua Normal University
关键词
剪纸语言
独特性
表现范围
传承与拓展
paper-cut language
peculiary
expression scope
inheritance and expand
