摘要
水月宫始创于明嘉靖年间,重建于1957年。虽地处岭南,且为近现代之作,但其建筑型制却为仿北方官式建筑,梁枋上均布彩画饰之。2011年,在对水月宫大殿彩画进行补绘修复工程中,笔者通过对该宫及景区内同一时期其它建筑组群彩画进行实地勘察以及纹饰对比研究,发现其彩画配置在沿袭古制的基础上,又具有一定的创新性,同时还可能带有某些隐喻的表达。为此,引发本文对其建筑彩画的价值评估及保护修复意义的思考。
The Shuiyue Palace was founded in the period of the Imperator Jiajing of Ming Dynasty, and reconstructed in 1957. Thought it＇s a reconstruction of modern age in the area of southern China, its typology is an imitation of the Chinese Classical architecture, which can be observed by the paint decorations on the architraves and beams. In the process of the intervention of restoration of the paint decorations in 2001, the author had inves- tigated the paint decorations of another building of the same period in the same.park of the Shuiyue Palace, and had developed a comparative study of the typology of the decorations, and found the continuation and innovation of the decoration of these buildings, and the metaphor of the selection of the ornamentations. Based on the above findings, the author will study the valuation of the paint decorations and the significance of their conservation and restoration.
出处
《肇庆学院学报》
2015年第6期72-76,95,共6页
Journal of Zhaoqing University
关键词
水月宫
建筑彩画
纹饰隐喻
修复意义
The Shuiyue Palace
paint decorations
metaphor of the selection of the ornamentations
significance of conservation and restoration
