摘要
明嘉靖本《荔镜记》刊本图版分三栏,上栏是"增入颜臣勾栏诗词北曲",中栏是插图及四句配诗,下栏才是戏文正文。很多研究者忽视上栏内容的存在。实际上,上栏所刊《颜臣全部》《新增勾栏》《新增北曲正音》与下栏正文并不是简单的杂烩拼合关系,二者在题材内容、情节关目、人物形象、曲词道白、阅读接受等方面存在着相互参照、彼此牵连的微妙的互文关系。
In the edition of Jiajing＇s＂Lijing Record＂during the Ming Dynasty,the layout is divided into three columns.The upper column is＂The new copy of Yan Chen GouLan poetry Beiqu＂,the center is the illustrations and four sentences with poetry,the next column is the text.Many researchers neglect the existence of the contents of the upper column.Actually,＂The Yan Chen all＂＂The new copy of GouLan＂＂The new copy of Beiqu Orthoepy＂published on the upper column and the text under the next column don＇t appear a matching relationship.They are all relative and connected with subtle intertextual relationship in the theme,the plot,the characters,the words,reading acceptance of cross referencing and so on.
出处
《泉州师范学院学报》
2015年第5期68-71,共4页
Journal of Quanzhou Normal University
基金
国家社科基金项目<"陈三五娘"故事的传播及其当代意义研究>(11BZW107)
泉州市社会科学规划项目<明嘉靖本<荔镜记>与其所涉剧目关系研究>(2014D29)
