摘要
在中国现代文学史上,废名是一位隐逸性明显的作家,同时也是一位意象营造大师。他所营造的意象包罗万象,精彩纷呈,其中的自然意象、宗教意象、死亡意象一点一滴地渗透出他对自然之隐、宗教之隐、死亡之隐的向往与追求。以树/树荫、花、水/海等为代表的个体自然意象和以陶家村、史家庄等为代表的空间自然意象,包含了废名对自然之隐的深切追求;以桥、塔、镜、灯为代表的宗教意象,反映了废名隐身于塔内、执着于参禅悟道的宗教理想;以坟、墓、碑、黄昏、落日等为代表的死亡意象则体现了废名隐于死亡、向死而生的死亡哲学。
Fei Ming is distinct in his hermit and, at the same time, good at creating highly inclusive and unusually brilliant imagery among which the natural imagery, religious imagery and death imagery reflect his hermit of nature, religion and death. The individual natural imagery represented by the shade of the tree, the flowers, the water and the begonia together with the spatial natural imagery represented by Taojia Village and Shijia Village, etc. both embody his ceaseless pursuit of natural hermit. The religious imagery represented by the bridge, the pagoda, the mirror and the lamp reflects his religious imagery that he hermits himself in the pagoda, dedicated to mediation and studying Buddhism. The death imagery represented by the grave, the tombstone, the dusk and the setting sun reflects his death philosophy that he hermits in death and being-towards-death.
出处
《聊城大学学报（社会科学版）》
2015年第6期32-45,共14页
Journal of Liaocheng University:Social Science Edition
基金
教育部人文社会科学研究青年基金项目资助(12YJC751093):中国现代隐逸文学研究
国家社会科学基金项目资助(13CZW067):中国现代文学史上的独特存在:隐逸派
关键词
废名
自然意象
宗教意象
死亡意象
隐逸
Fei Ming
natural imagery
religious imagery
death imagery
hermit
