摘要
莫言《檀香刑》是一部"新历史主义"的典范文本,塑造了一些个性鲜明的人物,以狂欢化的叙事来讲述了一段历史,让读者在感受人物悲剧命运的同时,又为其新颖的文学叙事技巧所震撼。作品交织着爱情、亲情、友情和权力的争斗,围绕檀香刑等刑罚为轴线,通过狂欢化的叙事人物、叙事话语、叙事场景,多角度、多层次地揭示了晚清统治必然走向灭亡的那段血腥历史。
As a typical text of ＂new historicism＂, Mo Yan＇s Sandalwood Punishment created some figures of distinctive characters with wild narrative to tell the story of a period of history. The readers feel the tragic fate of the characters, at the same time, are impressed by its novel literary narrative skills. The work is intertwined with love, affection, friendship and power struggles, with the sandalwood punishment penalty as axis, reveals the rule of inevitable doom of the late Qing dynasty through the wild narrative characters, discourse, scenes, and the history of multi angle.
出处
《阜阳师范学院学报（社会科学版）》
2015年第5期86-88,共3页
Journal of Fuyang Normal University：Social Science Edition
基金
安徽省哲学社会科学规划一般项目"莫言小说叙事研究"(AHSKY2014D111)
关键词
莫言
檀香刑
历史
狂欢化
叙事美学
Mo Yan
Sandalwood Punishment
history
carnival
narrative aesthetics
