摘要
敦煌石窟壁画是佛教文化的图式表征,对于壁画中出现的许多舞蹈形象,从文化解析层面上来看,一方面舞蹈形象是佛教文化的表达符号;另一方面,舞蹈形象也为世俗构建了广为民众接受并熟知的佛教世界。本文从历史的源头入手,重点阐述敦煌石窟壁画的舞蹈形象与佛教文化存在"交互"影响,并从文化的功能视角,进一步解析佛教壁画与舞蹈形态之间内在的文化当代性。
Dunhuang Grottoes, with many dancing images appearing in murals, are schematic representations of Buddhist culture. These dancing images, on the one hand, are symbolic expression of Buddhist culture from the perspective of cultural study. On the other hand, dancing images are also created for secular people to accept and understand Buddhist world. This paper, starting from the historical origin, focuses on the interaction between Dunhuang Grottoes dancing images and Buddhist culture, and further analyses the inherent cultural modernity of dancing forms and Buddhist culture.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2015年第5期27-32,共6页
Journal of Beijing Dance Academy
