摘要
汪曾祺作为京派文学在20世纪80年代的传承人,他的小说延续了京派创作"梦幻乡土"和"诗意抒写"的风格,对现代工业文明保持了一定的距离,甚至排斥的情绪。在汪曾祺的小说世界里,充满了优美的田园风光、古朴的民俗风情与健康本真的人性之美,散发着农耕文明时代的生态气息与意蕴。那是一片明净如水的世界,无论是乡土家园的自然生态,还是底层人生的精神生态,在汪曾祺的笔下都呈现出一种未受现代工业文明污染的澄明之境与清纯面貌,充满了和谐的诗意美与生态美。
As the descendant of Beijing literary in 1980 s,Wang Zengqi’s novel continued the＂dream country＂and＂poetry express＂style,kept a certain distance to the modern industrial civilization,and even the rejection. In Wang Zengqi’s novels,there were full of beautiful pastoral sceneries,primitive simplicity of folk customs and healthy beauty of human nature,sending out the ecological breath and implication of the farming civilization era. It was a world with bright and clean water,whether the natural ecology of the rural home,or the underlying spirit of ecological life,they both were not polluted by modern industrial civilization. So they were purely clear in appearance,full of the harmonious beauty and ecological beauty of poetry.
出处
《南都学坛（南阳师范学院人文社会科学学报）》
2015年第6期52-55,共4页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
基金
湖北大学2014年中国语言文学省级重点学科创新扶持项目"生态美学视域下的京派文学解读"
项目编号:博-01
关键词
汪曾祺
生态意蕴
自然生态
精神生态
Wang Zengqi
ecological connotation
natural ecology
spiritual ecology
