摘要
随着易卜生《玩偶之家》对中国的深刻影响,"五四"时期的作家塑造了一批离家出走去追求"恋爱自由"的新女性形象。这些"五四"娜拉小说,开启了中国女性用"私奔"出走方式,追求女性解放的井喷时代。本文通过对"恋爱自由"、"知识误我"、"情归何处"三个问题的探索,揭示出"娜拉"出走后的坎坷遭遇,戳穿了"五四"男性知识精英用西方"娜拉"鼓动传统女性,用"自由恋爱"和"女性解放"的诱惑性口号怂恿女性离家出走,来实现自我欲望的险恶用心。
With the deep influence on China brought about by Ibsen＇s A Doll＇s House, the writers during the May 4^Th period shaped a lot of new female images who left their home to seek for their freedom for love. Such May 4^th Nora novels opened a time in which Chinese females in a blowout number pursued women＇ s liberation through the form of elopement. Through the study of three issues., free love, knowledge＇s uselessness and love＇s home, this paper has revealed the unfortunate experience of Chinese ＂Noras＂ after their leaving home, and exposed the ＂may 4th＂ intellectual elites＇evil intentions to instigate the traditional Chinese females with western ＂Nora＂ to leave their homes to pursue their ＂free love＂ and ＂women＇s liberation＂ in an attempt to meet their own lust.
出处
《内江师范学院学报》
2015年第11期48-54,共7页
Journal of Neijiang Normal University
关键词
娜拉
传统
恋爱自由
女性解放
Nora
tradition
free love
women＇s liberation
