摘要
佛山是粤剧的发源地,作为表演载体的戏台在粤剧发展史上有着不可或缺的地位。祖庙万福台是佛山地区古戏台的代表,用场域理论来观照,万福台有物理场、戏场、宗教场、教化与媒介场等多场域性特征。万福台多场域性与意识形态、民生经济、思想文化、民间信仰、风俗娱乐、教化需求等因素息息相关。随着时代的变迁,万福台的多场域性经历了一个优胜劣汰的过程。
Foshan is the birthplace of Cantonese opera, and the entertainer carrier stage has played an indispensable role in the history of opera. Wanfu stage of the Ancestral Temple is the representative of the ancient stage of Foshan. In vision of field theory, Wanfu Stage has such characteristics as physical field, opera place, religious site, enlightenment and media field as well as others. Wanfu Stage is closely related to multiprocessor fields of ideology, people's livelihood economy, ideology and culture, folk beliefs, customs and entertainment, enlightenment demand and other factors. With the changing times, multi-field characteristic of Wanfu Stage has been experiencing a survival of the fittest.
基金
2013年佛山市哲学社会科学规划项目(2013-WJ14)
关键词
万福台
物理场
戏场
宗教场
教化与媒介场
场域的优胜劣汰
Wanfu Stage
physical field
opera place
religious site
enlightenment and media field
field of survival of the fittest
