摘要
北周康业墓石棺床围屏上十幅独立的阴刻山水屏风画像构图饱满,远近层次清晰,物象刻画生动,已然可见唐五代全景山水三段式构图的端倪。通过与相近时期传世卷轴画以及画学文献的比较研究,康业墓围屏山水图像能够成为南北朝时期中国山水画史的有益图像支持。由此可见,考古发现与墓葬研究对于古代美术史的构建具有重要的资料价值。
The folding screen of the Kangye tomb＇s sarcophagus in the Northern Zhou Dynasty takes a full composition of incised landscape screen portrait, with distinct hierarchy and vivid image. The three-part composition of panoramic landscape in Tang Dynasty can be seen from it. Through the comparative study between similar period scroll painting and painting literature, the landscape image from the folding screen can become the useful image support of Chinese landscape painting history of the Northern and Southern Dynasties. This shows that research on archaeological discovery and burial has vital data value for the construction of ancient art history.
出处
《吉林艺术学院学报》
2015年第4期26-30,共5页
Journal of Jilin University of Arts
关键词
康业墓石棺床
围屏山水图像
美术史研究
sarcophagus of Kangye tomb
landscape image of folding screen
research on art history
