摘要
从南宋后期开始,词人的身份、角色较之以往发生了很大改变,由歌者、文士、志士、谒客转到隐士,凸现了隐士这一词人群体的独特生存状态,体现出一种独特的社会心理,反映在词作、记录在词史上的便是一种独特的审美风貌。宋末元初词新质的生成与词人的隐士身份角色有着深层而广泛的内在联系,着眼于词人的隐士身份角色,来探讨当时词中抒情人物形象的构建、创作实践的意义和词作风格的形成,或许更能为之找到内在的逻辑依据。
From the beginning of the late Southern Song Dynasty,the identity of the poet than ever changed,by singer,writer,the ideal person,the Ganye people change became a recluse.This is a unique existence hermit poet groups emerged,which embodied a unique social psychological solution.In the creation of literature,the history of the presentation of a unique aesthetic style.Yuanchu late Song new features of the Ci formation and poet hermit identity has a deep and extensive internal relations,we focus on the poet hermit identity role,to explore the formation of that word in the lyric characters,literary meaning and the Ci style,perhaps more to find the internal logic basis.
出处
《齐鲁学刊》
CSSCI
北大核心
2015年第5期127-133,共7页
Qilu Journal
基金
广东省哲学社会科学"十二五"规划项目"南宋干谒与文学研究"(GD11XZW06)
关键词
宋末元初
词人
角色转换
审美特质
the late Song Dynasty and the early Yuan Dynasty
ci-poet
role conversion
the Ci of aesthetic characteristics
