摘要
敦煌现存五代、宋、西夏、元时的水月观音图三十余幅,是绘画类水月观音的主要图像资料。对敦煌水月观音图中的各组成元素进行分类,并就其图像渊源、绘画技法等进行了分析,从而呈现出敦煌水月观音图的地域性特征和美术史价值。
There are more than thirty “Water-Moon Avalokitesvara” paintings from the Five Dynasties, Song, Western Xia and Yuan dynasties kept in Dunhuang. This paper classifies the various components of these paintings and analyzes their iconographical sources and painting techniques in an effort to elucidate the regional features and historical value of the artwork.
出处
《敦煌研究》
CSSCI
北大核心
2015年第5期20-33,共14页
Dunhuang Research
关键词
敦煌
水月观音图
艺术
Dunhuang
“Water-Moon Avalokitesvara” paintings
art
