摘要
文章运用对比、例证、分析等研究手法,以中西方油画创作的写意性语言为切入点,分析说明了中国油画创作写意性有别于西方创作写意性;通过对中国传统文化的研究,归纳出中国传统审美的精神内涵,而写意性是中国传统审美精神内涵的表现形式。文章对上述两点作了着重论述,结合对中国油画创作写意性的特征及现实意义的研究,构建中国当代油画创作的写意性基础理论。
By the methods of comparison,case in point,analysis,etc. and from the freehand brushwork＇s languages between China and the west as the breakthrough point,the paper shows that the freehand brushwork in the creation of Chinese contemporary oil paintings is different from that of the West. The paper induces the Chinese traditional aesthetic spirit by the study of traditional Chinese culture,and yet the freehand brushwork is the performance of Chinese traditional aesthetic spirit. Combined with the study of the characteristics and practical significance of the freehand brushwork in the creation of Chinese contemporary oil paintings,the paper sets up its basic theory.
出处
《东华理工大学学报（社会科学版）》
2015年第3期233-237,共5页
Journal of East China University of Technology(Social Science)
关键词
中国当代油画创作
写意性
传统审美文化
Chinese contemporary oil painting
freehand brushwork
traditional aesthetic culture
