摘要
王光祈的国乐思想既与儒家传统礼乐文化一脉相承,融合和阐扬了儒家礼乐文化合理内核;又结合时代诉求,对儒家礼乐文化的内涵、礼乐的关系及谐和思想进行了合理改造与发展。虽然王光祈复兴礼乐再造"少年中国"的社会理想并未实现,但其国乐思想却为我国当代民族音乐的研究与发展奠定了坚实基础。
Based on the Chinese characteristics and harmony concept,Wang Guangqi＇s national music ideas come down reasonable essence of Confucian ritual-music culture,and keep pace with the times to reconstruct the connotation,relationship and harmony of it. Although his revival and reconstruction of social ideal＂young China＂did not achieve,his ideological ideas laid a solid foundation for study and development of contemporary Chinese folk music.
出处
《宜宾学院学报》
2015年第8期13-17,共5页
Journal of Yibin University
基金
四川省哲学社会科学重点研究基地宜宾学院四川思想家研究中心课题(SXJZX2009-011)
关键词
王光祈
国乐
礼乐文化
继承
改造
Wang Guangqi
national music
Confucian ritual-music culture
inheritance
reconstruction
