摘要
史书书写具体涉及的笔法,既是一个美学的追求问题,也是一个文论问题。章学诚在《春秋》"五例"、刘知几"尚简""用晦"论的基础上进一步提出史书文辞要"清真"的书写美学原则。并从"文情"的畅达与神妙之境的追求,以及作家的性情与文辞的关系等方面深入阐述了如何达到理想的史书文本的问题。章学诚这种立足大史学立场的古文理论具有一定的借鉴意义。
The problem to writing, in particular, to historical writing, is both an aesthetic pursuit and a literary theory. On the basis of the theories of ＂five cases＂ of the Spring and Autumn Annals and Liu Zhiji＇s ＂simple unluckiness＂, Zhang Xuecheng further advocated that the principle for the writing of histories and literature should be ＂clear and true＂. He also deeply elaborated the problem of how we could achieve the demand for the ideal historical works from the pursuit of fluency and wonderfulness, as well as the relationship between writers＂ passion and rhetoric. Zhang Xuecheng＇s theory of classical Chinese based on the great theory of history has certain referential significance.
出处
《湖州师范学院学报》
2015年第9期43-48,共6页
Journal of Huzhou University
基金
国家社科基金后期资助项目"章学诚与史家文论研究"(13FZW050)阶段性研究成果
关键词
章学诚
刘知几
笔法
清真
史德
Zhang Xuecheng Liu Zhiji
writing
clear and true literary esthetics
