摘要
汉末魏晋是汉字由隶书系统向楷书系统演进的关键时期,新兴的楷书、今草、行书逐渐走向成熟,王羲之在继承前人基础上集新体书法之大成,达到了极高的艺术成就,被后人誉为"书圣"。王羲之不是一般意义上的书法家,他的书法艺术是"坐而获逸"的士族风流的完美体现,关于《兰亭序》文字内容与书法艺术的论争更成为中国书法史、中国文化史上的一道亮丽风景。以王羲之、王献之父子为代表的书法典范通过帖学传统,对后世书法产生了巨大影响,波及日本等整个汉字文化圈。
The era from the late Han Dynasty to early Wei and Jin Dynasties was a critical time when Chinese characters evolved from the clerical script system to the regular script one. During this period, the emerging regular script, modern cursive script and semi-cursive script gradually became mature. Wang Xizhi, traditionally acclaimed as the sage of calligraphy, achieved great success in calligraphy art by epitomizing all kinds of emerging scripts on the basis of the previous. Wang was not a general calligrapher, as his Calligraphy could perfectly express the spirit of talented and romantic intelligentsia characterized by “leisure and coziness”. The debate about Lanting Xu involved both text contents and calligraphy art, which had become a beautiful scenery of the history of Chinese culture and Chinese calligraphy. Through the tradition of copybook studies,the calligraphic pattern represented by Wang Xizhi and his son Wang Xianzhi exerted tremendous influence on the later age , and also spreaded to the countries in the cultural circle of Chinese characters like Japan.
出处
《衡水学院学报》
2015年第5期91-98,共8页
Journal of Hengshui University
关键词
王羲之
坐而获逸
集大成
《兰亭序》
帖学传统
Wang Xizhi
the spirit of＂leisure and coziness＂
epitomizing effects
Lanting Xu
the tradition of copybook studies
